Martin Puchner is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia University and the author of Stage Fright: Modernism, Anti-Theatricality, and Drama (Hopkins, 2002) and Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton, 2006). He has published or has essays forthcoming in the London Review of Books, Raritan Review, Yale Journal of Criticism, The Drama Review, The Journal of the History of Ideas, New Literary History, Theatre Research International, and Theatre Journal among others. His edited books and introductions include Six Plays by Henrik Ibsen (Barnes and Noble, 2003), Lionel Abel's Tragedy and Metatheatre (Holmes and Meier, 2003), The Communist Manifesto and Other Writings (Barnes and Noble, 2005), and Modern Drama: Critical Concepts (Routledge, forthcoming). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (Palgrave, 2006) and of the forthcoming Norton Anthology of Drama. He has just signed on as the new general editor of the Norton Anthology of World Literature. He also serves as editor of the journal Theatre Survey.