The International Literary Quarterly
Contributors

Shanta Acharya
Marjorie Agosín
Donald Adamson
Diran Adebayo
Nausheen Ahmad
Toheed Ahmad
Amanda Aizpuriete
Baba Akote
Elisa Albo
Daniel Albright
Meena Alexander
Rosetta Allan
María Teresa Andruetto
Innokenty Annensky
Claudia Apablaza
Robert Appelbaum
Michael Arditti
Jenny Argante
Sandra Arnold
C.J.K. Arkell
Agnar Artúvertin
Sarah Arvio
Rosemary Ashton
Mammed Aslan
Coral Atkinson
Rose Ausländer
Shushan Avagyan
Razif Bahari
Elizabeth Baines
Jo Baker
Ismail Bala
Evgeny Baratynsky
Saule Abdrakhman-kyzy Batay
Konstantin Nikolaevich Batyushkov
William Bedford
Gillian Beer
Richard Berengarten
Charles Bernstein
Ilya Bernstein
Mashey Bernstein
Christopher Betts
Sujata Bhatt
Sven Birkerts
Linda Black
Chana Bloch
Amy Bloom
Mary Blum Devor
Michael Blumenthal
Jean Boase-Beier
Jorge Luis Borges
Alison Brackenbury
Julia Brannigan
Theo Breuer
Iain Britton
Françoise Brodsky
Amy Brown
Bernard Brown
Diane Brown
Gay Buckingham
Carmen Bugan
Stephen Burt
Zarah Butcher McGunnigle
James Byrne
Kevin Cadwallander
Howard Camner
Mary Caponegro
Marisa Cappetta
Helena Cardoso
Adrian Castro
Luis Cernuda
Firat Cewerî
Pierre Chappuis
Neil Charleton
Janet Charman
Sampurna Chattarji
Amit Chaudhuri
Mèlissa Chiasson
Ronald Christ
Alex Cigale
Sally Cline
Marcelo Cohen
Lila Cona
Eugenio Conchez
Andrew Cowan
Mary Creswell
Christine Crow
Pedro Xavier Solís Cuadra
Majella Cullinane
P. Scott Cunningham
Emma Currie
Jeni Curtis
Stephen Cushman
David Dabydeen
Susan Daitch
Rubén Dario
Jean de la Fontaine
Denys Johnson Davies
Lydia Davis
Robert Davreu
David Dawnay
Jill Dawson
Rosalía de Castro
Joanne Rocky Delaplaine
Patricia Delmar
Christine De Luca
Tumusiime Kabwende Deo
Paul Scott Derrick
Josephine Dickinson
Belinda Diepenheim
Jenny Diski
Rita Dove
Arkadii Dragomoschenko
Paulette Dubé
Denise Duhamel
Jonathan Dunne
S. B. Easwaran
Jorge Edwards
David Eggleton
Mohamed El-Bisatie
Tsvetanka Elenkova
Johanna Emeney
Osama Esber
Fiona Farrell
Ernest Farrés
Elaine Feinstein
Gigi Fenster
Micah Timona Ferris
Vasil Filipov
Maria Filippakopoulou
Ruth Fogelman
Peter France
Alexandra Fraser
Bashabi Fraser
Janis Freegard
Robin Fry
Alice Fulton
Ulrich Gabriel
Manana Gelashvili
Laurice Gilbert
Paul Giles
Zulfikar Ghose
Corey Ginsberg
Chrissie Gittins
Sarah Glazer
Michael Glover
George Gömöri
Giles Goodland
Martin Goodman
Roberta Gordenstein
Mina Gorji
Maria Grech Ganado
David Gregory
Philip Gross
Carla Guelfenbein
Daniel Gunn
Charles Hadfield
Haidar Haidar
Ruth Halkon
Tomás Harris
Geoffrey Hartman
Siobhan Harvey
Beatriz Hausner
John Haynes
Jennifer Hearn
Helen Heath
Geoffrey Heptonstall
Felisberto Hernández
W.N. Herbert
William Hershaw
Michael Hettich
Allen Hibbard
Hassan Hilmi
Rhisiart Hincks
Kerry Hines
Amanda Hopkinson
Adam Horovitz
David Howard
Sue Hubbard
Aamer Hussein
Fahmida Hussain
Alexander Hutchison
Sabine Huynh
Juan Kruz Igerabide Sarasola
Neil Langdon Inglis
Jouni Inkala
Ofonime Inyang
Kevin Ireland
Michael Ives
Philippe Jacottet
Robert Alan Jamieson
Rebecca Jany
Andrea Jeftanovic
Ana Jelnikar
Miroslav Jindra
Stephanie Johnson
Bret Anthony Johnston
Marion Jones
Tim Jones
Gabriel Josipovici
Pierre-Albert Jourdan
Sophie Judah
Tomoko Kanda
Maarja Kangro
Jana Kantorová-Báliková
Fawzi Karim
Kapka Kassabova
Susan Kelly-DeWitt
Mimi Khalvati
Daniil Kharms
Velimir Khlebnikov
Akhmad hoji Khorazmiy
David Kinloch
John Kinsella
Yudit Kiss
Tomislav Kuzmanović
Andrea Labinger
Charles Lambert
Christopher Lane
Jan Lauwereyns
Fernando Lavandeira
Graeme Lay
Ilias Layios
Hiên-Minh Lê
Mikhail Lermontov
Miriam Levine
Suzanne Jill Levine
Micaela Lewitt
Zhimin Li
Joanne Limburg
Birgit Linder
Pippa Little
Parvin Loloi
Christopher Louvet
Helen Lowe
Ana Lucic
Aonghas MacNeacail
Kona Macphee
Kate Mahony
Sara Maitland
Channah Magori
Vasyl Makhno
Marcelo Maturana Montañez
Stephanie Mayne
Ben Mazer
Harvey Molloy
Osip Mandelstam
Alberto Manguel
Olga Markelova
Laura Marney
Geraldine Maxwell
John McAuliffe
Peter McCarey
John McCullough
Richard McKane
John MacKinven
Cilla McQueen
Edie Meidav
Ernst Meister
Lina Meruane
Jesse Millner
Deborah Moggach
Mawatle J. Mojalefa
Jonathan Morley
César Moro
Helen Mort
Laura Moser
Andrew Motion
Paola Musa
Robin Myers
André Naffis-Sahely
Vivek Narayanan
Bob Natifu
María Negroni
Hernán Neira
Barbra Nightingale
Paschalis Nikolaou
James Norcliffe
Carol Novack
Annakuly Nurmammedov
Joyce Carol Oates
Sunday Enessi Ododo
Obododimma Oha
Michael O'Leary
Antonio Diaz Oliva
Wilson Orhiunu
Maris O'Rourke
Sue Orr
Wendy O'Shea-Meddour
María Claudia Otsubo
Ruth Padel
Ron Padgett
Thalia Pandiri
Judith Dell Panny
Hom Paribag
Lawrence Patchett
Ian Patterson
Georges Perros
Pascale Petit
Aleksandar Petrov
Mario Petrucci
Geoffrey Philp
Toni Piccini
Henning Pieterse
Robert Pinsky
Mark Pirie
David Plante
Nicolás Poblete
Sara Poisson
Clare Pollard
Mori Ponsowy
Wena Poon
Orest Popovych
Jem Poster
Begonya Pozo
Pauline Prior-Pitt
Eugenia Prado Bassi
Ian Probstein
Sheenagh Pugh
Kate Pullinger
Zosimo Quibilan, Jr
Vera V. Radojević
Margaret Ranger
Tessa Ransford
Shruti Rao
Irina Ratushinskaya
Tanyo Ravicz
Richard Reeve
Sue Reidy
Joan Retallack
Laura Richardson
Harry Ricketts
Ron Riddell
Cynthia Rimsky
Loreto Riveiro Alvarez
James Robertson
Peter Robertson
Gonzalo Rojas
Dilys Rose
Gabriel Rosenstock
Jack Ross
Anthony Rudolf
Basant Rungta
Joseph Ryan
Sean Rys
Jostein Sæbøe
André Naffis Sahely
Eurig Salisbury
Fiona Sampson
Polly Samson
Priya Sarukkai Chabria
Maree Scarlett
John Schad
Michael Schmidt
L.E. Scott
Maureen Seaton
Alexis Sellas
Hadaa Sendoo
Chris Serio
Resul Shabani
Bina Shah
Yasir Shah
Daniel Shapiro
Ruth Sharman
Tina Shaw
David Shields
Ana María Shua
Christine Simon
Iain Sinclair
Katri Skala
Carole Smith
Ian C. Smith
Elizabeth Smither
John Stauffer
Jim Stewart
Susan Stewart
Jesper Svenbro
Virgil Suárez
Lars-Håkan Svensson
Sridala Swami
Rebecca Swift
George Szirtes
Chee-Lay Tan
Tugrul Tanyol
José-Flore Tappy
Alejandro Tarrab
Campbell Taylor
John Taylor
Judith Taylor
Petar Tchouhov
Miguel Teruel
John Thieme
Karen Thornber
Tim Tomlinson
Angela Topping
David Trinidad
Kola Tubosun
Nick Vagnoni
Joost Vandecasteele
Jan van Mersbergen
Latika Vasil
Yassen Vassilev
Lawrence Venuti
Lidia Vianu
Dev Virahsawmy
Anthony Vivis
Richard Von Sturmer
Răzvan Voncu
Nasos Vayenas
Mauricio Wacquez
Julie Marie Wade
Alan Wall
Marina Warner
Mia Watkins
Peter Wells
Stanley Wells
Laura Watkinson
Joe Wiinikka-Lydon
Hayden Williams
Edwin Williamson
Ronald V. Wilson
Stephen Wilson
Alison Wong
Leslie Woodard
Elzbieta Wójcik-Leese
Niel Wright
Manolis Xexakis
Xu Xi
Gao Xingjian
Sonja Yelich
Tamar Yoseloff
Augustus Young
Soltobay Zaripbekov
Karen Zelas
Alan Ziegler
Ariel Zinder

 

President, Publisher & Founding Editor:
Peter Robertson
Vice-President: Glenna Luschei
Vice-President: Sari Nusseibeh
Vice-President: Elena Poniatowska
London Editor/Senior Editor-at-Large: Geraldine Maxwell
New York Editor/Senior Editor-at-Large: Meena Alexander
Washington D.C. Editor/Senior
Editor-at-Large:
Laura Moser
Argentine Editor: Yamila Musa
Deputy Editor: Allen Hibbard
Deputy Editor: Jerónimo Mohar Volkow
Deputy Editor: Bina Shah
Advisory Consultant: Jill Dawson
General Editor: Beatriz Hausner
General Editor: Malvina Segui
Art Editor: Lara Alcantara-Lansberg
Art Editor: Calum Colvin
Deputy General Editor: Jeff Barry

Consulting Editors
Shanta Acharya
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
Alain de Botton
Carmen Boullossa
Rachel Bowlby
Svetlana Boym
Peter Brooks
Marina Brownlee
Roberto Brodsky
Carmen Bugan
Jenni Calder
Stanley Cavell
Hollis Clayson
Sarah Churchwell
Marcelo Cohen
Kristina Cordero
Drucilla Cornell
Junot Díaz
André Dombrowski
Denis Donoghue
Ariel Dorfman
Rita Dove
Denise Duhamel
Klaus Ebner
Robert Elsie
Stefano Evangelista
Orlando Figes
Tibor Fischer
Shelley Fisher Fishkin
Peter France
Nancy Fraser
Maureen Freely
Michael Fried
Marjorie Garber
Anne Garréta
Marilyn Gaull
Zulfikar Ghose
Paul Giles
Lydia Goehr
Vasco Graça Moura
A. C. Grayling
Stephen Greenblatt
Lavinia Greenlaw
Lawrence Grossberg
Edith Grossman
Elizabeth Grosz
Boris Groys
David Harsent
Benjamin Harshav
Geoffrey Hartman
François Hartog
Molly Haskell
Selina Hastings
Beatriz Hausner
Valerie Henitiuk
Kathryn Hughes
Aamer Hussein
Djelal Kadir
Kapka Kassabova
John Kelly
Martin Kern
Mimi Khalvati
Joseph Koerner
Annette Kolodny
Julia Kristeva
George Landow
Chang-Rae Lee
Mabel Lee
Linda Leith
Suzanne Jill Levine
Lydia Liu
Margot Livesey
Julia Lovell
Thomas Luschei
Willy Maley
Alberto Manguel
Ben Marcus
Paul Mariani
Marina Mayoral
Richard McCabe
Campbell McGrath
Jamie McKendrick
Edie Meidav
Jack Miles
Toril Moi
Susana Moore
Laura Mulvey
Azar Nafisi
Martha Nussbaum
Tim Parks
Clare Pettitt
Caryl Phillips
Robert Pinsky
Elizabeth Powers
Elizabeth Prettejohn
Martin Puchner
Kate Pullinger
Paula Rabinowitz
Rajeswari Sunder Rajan
James Richardson
François Rigolot
Geoffrey Robertson
Ritchie Robertson
Avital Ronell
Carla Sassi
Michael Scammell
Celeste Schenck
Daniel Shapiro
Sudeep Sen
Hadaa Sendoo
Miranda Seymour
Daniel Shapiro
Mimi Sheller
Elaine Showalter
Penelope Shuttle
Werner Sollors
Frances Spalding
Gayatri Chakravorty Spivak
Julian Stallabrass
Susan Stewart
Rebecca Stott
Mark Strand
Kathryn Sutherland
John Whittier Treat
David Treuer
David Trinidad
Marjorie Trusted
Lidia Vianu
Victor Vitanza
Marina Warner
David Wellbery
Edwin Williamson
Michael Wood
Theodore Zeldin

Assistant Editor: Sara Besserman
Assistant Editor: Ana de Biase
Assistant Editor: Conor Bracken
Assistant Editor: Eugenio Conchez
Assistant Editor: Patricia Delmar
Assistant Editor: Lucila Gallino
Assistant Editor: Sophie Lewis
Assistant Editor: Krista Oehlke
Assistant Editor: Siska Rappé
Assistant Editor: Naomi Schub
Assistant Editor: Stephanie Smith
Assistant Editor: Emily Starks
Assistant Editor: Robert Toperter
Assistant Editor: Laurence Webb
Art Consultant: Verónica Barbatano
Art Consultant: Angie Roytgolz

 

Nick Caistor
The Power of Prose:
La Mufa
A Story By: Nick Caistor
 

 



I first saw him at a market up on the border with Bolivia. It was a sprawling affair that ran alongside the main road across the frontier. Most of its wares were laid out on tarpaulins in the desert dunes. This was at above twelve thousand feet in the Andes, and I immediately noticed he was finding it almost as hard to breathe as I was.

Even so, he was remonstrating passionately with one of the indigenous women selling her few goods. I was attracted by the odd couple they made: he was well over six feet tall, with long, straight blond hair down to his shoulders, and he was dressed from head to toe in black leather. She was squat, dark, her hair as black as his leather jacket, snaking in a thick plait down her back, and she wore the battered brown bowler hat typical of the local women.

At first, I couldn’t comprehend what the argument was about. Then I noticed that the blond stranger kept pointing to something on the woman’s blanket. In the middle of it sat three small, sad-looking armadillos, tied together by their legs, watched over by a grubby, barefoot boy with a torn red jersey and ragged jeans.

I realised that the leather-clad giant was shouting in a garbled mix of American English and broken Spanish.

‘Can I help?’ I said. ‘I speak Spanish.’

‘Can’t you see what this damn Indian is doing?’ he muttered at me. ‘She’s selling these poor armadillos for pets.’

I didn’t have the heart to tell him that in fact they weren’t being sold as pets, but that in this part of the Andes they were a great delicacy – and when they had been eaten, their armour-plated shells usually came in handy to make the body of a small guitar.

‘They can’t sell them like that,’ protested the blond giant. ‘They’re wild critters, they gotta be allowed to roam.’

‘OK, I told him, so what do you want to do?’

‘Tell her I’ll buy the lot,’ he said. ‘How much d’you think she wants?’

It took quite a while to convince the market woman that my new-found friend was serious, but after some complicated three-way haggling we succeeded in buying the armadillos for thirty US dollars. The grateful local woman quickly stuffed the notes inside her voluminous woolly jumper. The American, whose name I by now knew was Greg, was equally jubilant.

‘Right, now let’s set these babies free!’ With that he strode off behind the dunes, the three armadillos squirming and writhing under his arm. I didn’t even get the chance to warn him those critters had incredibly sharp teeth.

I went off in the opposite direction with my Argentinian companion. We walked even deeper into the hills to look for petroglyphs, paintings on the rocks. Centuries ago, this northern tip of Argentina had been part of the Inca empire centred in Peru, but which had conquered all the region. The valleys here still bore traces of the adobe fortresses they had built, and I already had a collection of pottery shards I liked to think came from the days before the Spanish conquest.

But I hadn’t seen anything like the vivid paintings we soon discovered on several huge boulders in what once must have been a mountain stream. The rocks were a glowing pink sandstone, and all over them were hunting scenes, pictures of men on horses - a novelty that the Spaniards brought with them- and yes, men with lances chasing what looked like armadillos!

By the time we got back to the main road, the market had dispersed. To my astonishment however, Greg was still there. In fact, he was sitting disconsolately beside the road, looking like some huge abandoned leather armchair.

‘Those sons of bitches robbed me,’ he said. ‘They took my wallet, my passport, my cameras, and those damned armadillos.’

I couldn’t really leave him there like that. So we loaded him up in our car, and took him into town, to the local border police post. This was a dusty whitewashed adobe building, marked off from the rest of the dirt road by a smart chain-link fence. A flagpole stood in the middle of the yard, with the blue-and-white Argentine flag hanging limply in the cold, thin mountain air.

This was in the weeks before the Argentine military took power in a coup that they euphemistically called a ‘process of national re-organization’- a re-organization that was to cost the lives of thousands of young Argentines. But Greg needed help, and I reckoned the local police captain owed me a favour: a few days earlier he had almost shot me by mistake when he was pursuing a would-be robber through the streets of the town.

There was no doubt though that he was suspicious of this six-foot three gringo and his English companion. His suspicions grew as I translated Greg’s story about the purchase of the armadillos and his claim that the same people who’d sold him the animals had robbed him. The captain had great difficulty understanding why Greg should want to buy these creatures anyway - doesn’t he know they’re riddled with fleas and TB, he snorted?

But it was when Greg, with me acting as interpreter, went on to describe what he was planning to do in Argentina that the captain’s eyes really shot up to the ceiling. Greg, I explained, was hitch-hiking about fifteen hundred miles south to the Valdes peninsula, where he wanted to see and photograph the whales that congregate off the Argentine coast in great numbers at that time of year.

‘He’s travelling all through our country, without money or documents, to see some whales?’ said the captain incredulously. Yes, I repeated, he’s a naturalist, that’s what interests him most in life’.

Things went steadily downhill from there. Greg had no money or obvious means if support. He could not say who he would be staying with in Buenos Aires, or on the Valdes peninsula. He could not say what his profession was, beyond being a member of the Audubon Society of America - something I tried hard to explain to the increasingly irate police captain.

Eventually, he had heard enough. He stood up, put on his cap with the blue-and-white bull’s eye insignia on the front, and ordered one of the guards to take the prisoner to the town’s one cell out the back.

Before he was led out, Greg managed to slip me a scrap of paper, which I crumpled in my hand.

I was out of town the next day, and it wasn’t until the morning after that I remembered Greg, and thought I should see what had happened to him. I arrived at the police post just as he was being hauled onto the back of a pick-up truck, with an escort of four bleary-eyed soldiers. I asked the police captain where they were taking him. He snapped: ‘he’s being transported to the provincial capital for questioning.’

I went over to Greg: ‘Keep well away from me,’ he said. ‘You’ve got me into more than enough trouble already’.

That was the last I saw of the giant American. A few weeks later, the much-anticipated coup took place, and I had worries of my own. It was only then that I came across the crumpled piece of paper he had written, still stuffed deep in my pocket.

‘Tell US consul Greg Benkowski of 2624b Cortez Street, Chicago Illinois, is held by Argentine authorities. I am innocent!’

By now, I was down in the capital, Buenos Aires, and thought I should try to find out what had happened to him.

They were reticent about speaking over the telephone to me - no phone was safe in those days. When I arrived at the US consulate, I was shown into a room with bare walls and a plain desk in the centre. One of those hatchet-faced lean young Americans in a tan suit, his mouth a line like a crack in a teacup, glanced at me in distaste.

‘It took us a month to persuade the Argentinian authorities that Mr. Benkowksi was an innocent man. They claimed he had been arrested near the Bolivian frontier after being seen in the company of another alien whom they suspected of investigating hidden trails across the border, and of taking part in an armed robbery in a frontier town.’

I left without another word.

A few months later, I learned the Argentinian expression ‘la mufa’- someone who brings bad luck to whoever they meet.

The Power of Prose