The International Literary Quarterly
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Shanta Acharya
Marjorie Agosín
Donald Adamson
Diran Adebayo
Nausheen Ahmad
Toheed Ahmad
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Baba Akote
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Innokenty Annensky
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Saule Abdrakhman-kyzy Batay
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Mohamed El-Bisatie
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Osama Esber
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Mina Gorji
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Felisberto Hernández
W.N. Herbert
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Kerry Hines
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Adam Horovitz
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Sue Hubbard
Aamer Hussein
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Alexander Hutchison
Sabine Huynh
Juan Kruz Igerabide Sarasola
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Jouni Inkala
Ofonime Inyang
Kevin Ireland
Michael Ives
Philippe Jacottet
Robert Alan Jamieson
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Miroslav Jindra
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Marion Jones
Tim Jones
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Tomoko Kanda
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Fawzi Karim
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Susan Kelly-DeWitt
Mimi Khalvati
Daniil Kharms
Velimir Khlebnikov
Akhmad hoji Khorazmiy
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Tomislav Kuzmanović
Andrea Labinger
Charles Lambert
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Jan Lauwereyns
Fernando Lavandeira
Graeme Lay
Ilias Layios
Hiên-Minh Lê
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Miriam Levine
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Micaela Lewitt
Zhimin Li
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Parvin Loloi
Christopher Louvet
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Ana Lucic
Aonghas MacNeacail
Kona Macphee
Kate Mahony
Sara Maitland
Channah Magori
Vasyl Makhno
Marcelo Maturana Montañez
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Ben Mazer
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Osip Mandelstam
Alberto Manguel
Olga Markelova
Laura Marney
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John McCullough
Richard McKane
John MacKinven
Cilla McQueen
Edie Meidav
Ernst Meister
Lina Meruane
Jesse Millner
Deborah Moggach
Mawatle J. Mojalefa
Jonathan Morley
César Moro
Helen Mort
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Paola Musa
Robin Myers
André Naffis-Sahely
Vivek Narayanan
Bob Natifu
María Negroni
Hernán Neira
Barbra Nightingale
Paschalis Nikolaou
James Norcliffe
Carol Novack
Annakuly Nurmammedov
Joyce Carol Oates
Sunday Enessi Ododo
Obododimma Oha
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Antonio Diaz Oliva
Wilson Orhiunu
Maris O'Rourke
Sue Orr
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Ruth Padel
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Thalia Pandiri
Judith Dell Panny
Hom Paribag
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Ian Patterson
Georges Perros
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Geoffrey Philp
Toni Piccini
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Wena Poon
Orest Popovych
Jem Poster
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Pauline Prior-Pitt
Eugenia Prado Bassi
Ian Probstein
Sheenagh Pugh
Kate Pullinger
Zosimo Quibilan, Jr
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Margaret Ranger
Tessa Ransford
Shruti Rao
Irina Ratushinskaya
Tanyo Ravicz
Richard Reeve
Sue Reidy
Joan Retallack
Laura Richardson
Harry Ricketts
Ron Riddell
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Loreto Riveiro Alvarez
James Robertson
Peter Robertson
Gonzalo Rojas
Dilys Rose
Gabriel Rosenstock
Jack Ross
Anthony Rudolf
Basant Rungta
Joseph Ryan
Sean Rys
Jostein Sæbøe
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Eurig Salisbury
Fiona Sampson
Polly Samson
Priya Sarukkai Chabria
Maree Scarlett
John Schad
Michael Schmidt
L.E. Scott
Maureen Seaton
Alexis Sellas
Hadaa Sendoo
Chris Serio
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Bina Shah
Yasir Shah
Daniel Shapiro
Ruth Sharman
Tina Shaw
David Shields
Ana María Shua
Christine Simon
Iain Sinclair
Katri Skala
Carole Smith
Ian C. Smith
Elizabeth Smither
John Stauffer
Jim Stewart
Susan Stewart
Jesper Svenbro
Virgil Suárez
Lars-Håkan Svensson
Sridala Swami
Rebecca Swift
George Szirtes
Chee-Lay Tan
Tugrul Tanyol
José-Flore Tappy
Alejandro Tarrab
Campbell Taylor
John Taylor
Judith Taylor
Petar Tchouhov
Miguel Teruel
John Thieme
Karen Thornber
Tim Tomlinson
Angela Topping
David Trinidad
Kola Tubosun
Nick Vagnoni
Joost Vandecasteele
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Latika Vasil
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Lawrence Venuti
Lidia Vianu
Dev Virahsawmy
Anthony Vivis
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Nasos Vayenas
Mauricio Wacquez
Julie Marie Wade
Alan Wall
Marina Warner
Mia Watkins
Peter Wells
Stanley Wells
Laura Watkinson
Joe Wiinikka-Lydon
Hayden Williams
Edwin Williamson
Ronald V. Wilson
Stephen Wilson
Alison Wong
Leslie Woodard
Elzbieta Wójcik-Leese
Niel Wright
Manolis Xexakis
Xu Xi
Gao Xingjian
Sonja Yelich
Tamar Yoseloff
Augustus Young
Soltobay Zaripbekov
Karen Zelas
Alan Ziegler
Ariel Zinder

 

President, Publisher & Founding Editor:
Peter Robertson
Vice-President: Glenna Luschei
Vice-President: Sari Nusseibeh
Vice-President: Elena Poniatowska
London Editor/Senior Editor-at-Large: Geraldine Maxwell
New York Editor/Senior Editor-at-Large: Meena Alexander
Washington D.C. Editor/Senior
Editor-at-Large:
Laura Moser
Argentine Editor: Yamila Musa
Deputy Editor: Allen Hibbard
Deputy Editor: Jerónimo Mohar Volkow
Deputy Editor: Bina Shah
Advisory Consultant: Jill Dawson
General Editor: Beatriz Hausner
General Editor: Malvina Segui
Art Editor: Lara Alcantara-Lansberg
Art Editor: Calum Colvin
Deputy General Editor: Jeff Barry

Consulting Editors
Shanta Acharya
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
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Peter Brooks
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Roberto Brodsky
Carmen Bugan
Jenni Calder
Stanley Cavell
Hollis Clayson
Sarah Churchwell
Marcelo Cohen
Kristina Cordero
Drucilla Cornell
Junot Díaz
André Dombrowski
Denis Donoghue
Ariel Dorfman
Rita Dove
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Klaus Ebner
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Shelley Fisher Fishkin
Peter France
Nancy Fraser
Maureen Freely
Michael Fried
Marjorie Garber
Anne Garréta
Marilyn Gaull
Zulfikar Ghose
Paul Giles
Lydia Goehr
Vasco Graça Moura
A. C. Grayling
Stephen Greenblatt
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Lawrence Grossberg
Edith Grossman
Elizabeth Grosz
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François Hartog
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Aamer Hussein
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Mabel Lee
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Victor Vitanza
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Edwin Williamson
Michael Wood
Theodore Zeldin

Assistant Editor: Sara Besserman
Assistant Editor: Ana de Biase
Assistant Editor: Conor Bracken
Assistant Editor: Eugenio Conchez
Assistant Editor: Patricia Delmar
Assistant Editor: Lucila Gallino
Assistant Editor: Sophie Lewis
Assistant Editor: Krista Oehlke
Assistant Editor: Siska Rappé
Assistant Editor: Naomi Schub
Assistant Editor: Stephanie Smith
Assistant Editor: Emily Starks
Assistant Editor: Robert Toperter
Assistant Editor: Laurence Webb
Art Consultant: Verónica Barbatano
Art Consultant: Angie Roytgolz

 
Click to enlarge picture.


The Power of Prose:
Extract 4 from Ameland
A novel by: Hernán Neira
Translated from the Spanish
into the English
by Peter Robertson
 

 



Extract 1 from Ameland
Extract 2 from Ameland
Extract 3 from Ameland

When I was no more than a boy, my father took me to one side and said

“If you ever grow sea legs, I’ll cut off one of them.”

As he towered above me, his booming voice filled me with fear.

My father did all that he could to find work for me on the mainland, instilling in me the same hatred that he, his brothers, and his family before him, all of them forced to be fishermen as the fields were barren, had felt towards the sea. As we sat around the fire, he invoked only the storms, the deaths by drowning, the aching bones, and the frozen hands that searched desperately for a few scraps to eat.

Fate ensured that I was not to work either on the ocean or the land, when a new law was passed, decreeing compulsory schooling for all children, free of charge. Some months later, the very day that I was due to embark for the first time to scour the high seas for sustenance, a policeman hauled me off the boat and took me to the school. Neither of my parents had received any formal education and, as I was led away, my father kept his own gloomy counsel while my mother could scarcely contain her sobbing, but both were nonetheless relieved that I would surely escape from the cruel fetters of the sea. All of a sudden, I felt like an outsider in the bay, the only child taken away, while the others, with their parents’ connivance, had gone into hiding as soon as the policeman had appeared.

I didn’t pay much attention to what any of my teachers said, but my father hit me hard to drill me in reading and arithmetic. Waxing furious, he unleashed the very armoury of threats he had deployed to keep me landlocked.

“Watch out or I’ll break every bone in your body,” he bellowed one day, when I had forgotten to do my homework.

I spent the next two or three years absorbed in my own world. As one schoolmaster after another held forth, I told myself that these were matters that pertained to the capital or the port, but not to the isolated bay that I had never left. At an age at which other children in the settlement were shown by their parents how to steer boats, and had mastered the finer points of sailing, I had become proficient in reading, but felt dizzy as soon as I left port.

After my father died, my mother and my uncles decided that it was time for me to leave school and, by learning a trade, pay for my own keep. One day the sexton at the church said that he wanted to see me. All the paraphernalia of faith filled me with dread and I tried to run away, but my pious mother dragged me to the interview, and a few days later accompanied me to the garden path where, breaking down in tears, she lifted me onto the wagon that serviced the bay.

“Giddy up,” the coachman said as the horses trotted off.

Without having any idea where I was being taken, I looked back at my mother, receding ever further from view. I started to cry, but in no time, crossing a hill, we left the bay behind, and I began to enjoy a landscape different from any that I had ever known. I must have been ten or eleven when I entered the religious school, where I learnt saddlery, only seeing my family during summer vacations. I have no other memories of that time, all of them lost irretrievably in a dense mist, until the day I was told.

“Now you are ready to go to the Naval School.”





Recuerdo que era niño, muy niño, cuando me llamó mi padre y me dijo:

- ¡Si te embarcas te corto una pierna!

Su voz era clara y grave, y yo, que no le llegaba a la cintura, tuve miedo.

Luchó para conseguirme un puesto en tierra y para trasmitirme el odio que le tenía él al mar, el mismo que le tenían al océano sus hermanos y toda su familia, pescadores porque en los campos ya no había qué comer. Me prohibió navegar y, cuando hablaba de pesca, sólo contaba tormentas, ahogos, granizos, huesos adoloridos y manos congeladas por un oficio que apenas permitía subsistir. Muchas veces, cuando la familia se reunía en torno al fogón, le oía repetir las más terribles amenazas.

No, no fui pescador ni tampoco campesino. Se produjo un hecho que vino en ayuda de mi padre, aunque jamás sabré si en la mía. El gobierno dictó una ley: enseñanza gratuita y obligatoria para todos. Meses después, el mismo día que me iba a embarcar por primera vez para contribuir a alimentar a mi familia, vino un policía, me sacó a tirones de un bote y me llevó a la escuela. Mi padre guardó un silencio severo y mi madre lloraba, pero comprendieron que por primera vez alguien en la familia escaparía al destino del mar, es decir al del hambre. Ni mi padre ni mi madre sabían lo que era la escuela, nunca se habían sentado en un pupitre. Me sentía extraño. Era el único de los niños de la bahía que había dejado la pesca; los demás, con la complicidad de sus padres, se habían escondido en cuanto aparecieron los policías.

No sé lo que me enseñó la escuela, sólo sé que mi padre me azotaba para que aprendiera a leer, a sumar y a restar. A veces, cuando se enfurecía, volvía esgrimir las amenazas de antaño, no para impedir embarques, sino para que estudiara:

- Cuidado, soy capaz de romperte los huesos -dijo una vez que olvidé hacer las tareas.

Pasé esos años, dos o tres, sin comprender con qué finalidad debía oír al maestro; en mi medio no conocíamos a nadie que hubiera ido a la escuela y me sirviera de ejemplo. Esas eran cosas de la capital o del puerto y yo nunca había salido de una bahía lejana y perdida. A una edad en que los jóvenes dominaban redes, cabos y embarcaciones, a una edad en que ya se sentaban al caño y gobernaban las naves bajo la mirada de sus padres, había aprendido a leer, pero me mareaba de sólo subir a un velero.

Mi padre murió. Mis tíos hablaron con mi madre y tomaron la decisión por mí: no podía seguir en la escuela, tenía que aprender un oficio y ganar sin demora mi propio sustento. Un día el sacristán me mandó llamar. Las sotanas y las iglesias me daban miedo. Traté de huir, pero fue inútil. Mi madre, que no había faltado en toda su vida a una misa, me agarró de un brazo y me llevó a la iglesia. Algo se dijeron que no recuerdo. A los pocos días me sacó al camino, me dio un abrazo de despedida, echó unos cuantos lagrimones, me besó y me encaramó en la carreta que periódicamente pasaba por la bahía. Un hombre me sujetó desde arriba, ella me volvió a besar y partí.

- ¡Arre! -dijo el conductor a los caballos, que salieron al trote.

Desde mi asiento, sin comprender a dónde me llevaban, me quedé mirando fijo a mi madre, haciéndose cada vez más pequeña. Me puse a llorar, pero pronto atravesamos una colina, dejamos atrás la bahía y me entretuve con un paisaje por completo distinto del que conocía y que contemplaba por primera vez. Debía tener diez u once años, no estoy seguro, jamás he tenido certificado de nacimiento. Me instalaron en un internado religioso donde aprendí algo de talabartería y desde entonces sólo vi a mi familia durante el verano. De esa época no tengo otros recuerdos, todos se borran hasta un día en que me separaron de mis compañeros:

- Pareces listo, irás a la escuela del mar --dijeron.

Extract 1 from Ameland
Extract 2 from Ameland
Extract 3 from Ameland

"The Power of Prose"