The International Literary Quarterly
Contributors

Shanta Acharya
Marjorie Agosín
Donald Adamson
Diran Adebayo
Nausheen Ahmad
Toheed Ahmad
Amanda Aizpuriete
Baba Akote
Elisa Albo
Daniel Albright
Meena Alexander
Rosetta Allan
María Teresa Andruetto
Innokenty Annensky
Claudia Apablaza
Robert Appelbaum
Michael Arditti
Jenny Argante
Sandra Arnold
C.J.K. Arkell
Agnar Artúvertin
Sarah Arvio
Rosemary Ashton
Mammed Aslan
Coral Atkinson
Rose Ausländer
Shushan Avagyan
Razif Bahari
Elizabeth Baines
Jo Baker
Ismail Bala
Evgeny Baratynsky
Saule Abdrakhman-kyzy Batay
Konstantin Nikolaevich Batyushkov
William Bedford
Gillian Beer
Richard Berengarten
Charles Bernstein
Ilya Bernstein
Mashey Bernstein
Christopher Betts
Sujata Bhatt
Sven Birkerts
Linda Black
Chana Bloch
Amy Bloom
Mary Blum Devor
Michael Blumenthal
Jean Boase-Beier
Jorge Luis Borges
Alison Brackenbury
Julia Brannigan
Theo Breuer
Iain Britton
Françoise Brodsky
Amy Brown
Bernard Brown
Diane Brown
Gay Buckingham
Carmen Bugan
Stephen Burt
Zarah Butcher McGunnigle
James Byrne
Kevin Cadwallander
Howard Camner
Mary Caponegro
Marisa Cappetta
Helena Cardoso
Adrian Castro
Luis Cernuda
Firat Cewerî
Pierre Chappuis
Neil Charleton
Janet Charman
Sampurna Chattarji
Amit Chaudhuri
Mèlissa Chiasson
Ronald Christ
Alex Cigale
Sally Cline
Marcelo Cohen
Lila Cona
Eugenio Conchez
Andrew Cowan
Mary Creswell
Christine Crow
Pedro Xavier Solís Cuadra
Majella Cullinane
P. Scott Cunningham
Emma Currie
Jeni Curtis
Stephen Cushman
David Dabydeen
Susan Daitch
Rubén Dario
Jean de la Fontaine
Denys Johnson Davies
Lydia Davis
Robert Davreu
David Dawnay
Jill Dawson
Rosalía de Castro
Joanne Rocky Delaplaine
Patricia Delmar
Christine De Luca
Tumusiime Kabwende Deo
Paul Scott Derrick
Josephine Dickinson
Belinda Diepenheim
Jenny Diski
Rita Dove
Arkadii Dragomoschenko
Paulette Dubé
Denise Duhamel
Jonathan Dunne
S. B. Easwaran
Jorge Edwards
David Eggleton
Mohamed El-Bisatie
Tsvetanka Elenkova
Johanna Emeney
Osama Esber
Fiona Farrell
Ernest Farrés
Elaine Feinstein
Gigi Fenster
Micah Timona Ferris
Vasil Filipov
Maria Filippakopoulou
Ruth Fogelman
Peter France
Alexandra Fraser
Bashabi Fraser
Janis Freegard
Robin Fry
Alice Fulton
Ulrich Gabriel
Manana Gelashvili
Laurice Gilbert
Paul Giles
Zulfikar Ghose
Corey Ginsberg
Chrissie Gittins
Sarah Glazer
Michael Glover
George Gömöri
Giles Goodland
Martin Goodman
Roberta Gordenstein
Mina Gorji
Maria Grech Ganado
David Gregory
Philip Gross
Carla Guelfenbein
Daniel Gunn
Charles Hadfield
Haidar Haidar
Ruth Halkon
Tomás Harris
Geoffrey Hartman
Siobhan Harvey
Beatriz Hausner
John Haynes
Jennifer Hearn
Helen Heath
Geoffrey Heptonstall
Felisberto Hernández
W.N. Herbert
William Hershaw
Michael Hettich
Allen Hibbard
Hassan Hilmi
Rhisiart Hincks
Kerry Hines
Amanda Hopkinson
Adam Horovitz
David Howard
Sue Hubbard
Aamer Hussein
Fahmida Hussain
Alexander Hutchison
Sabine Huynh
Juan Kruz Igerabide Sarasola
Neil Langdon Inglis
Jouni Inkala
Ofonime Inyang
Kevin Ireland
Michael Ives
Philippe Jacottet
Robert Alan Jamieson
Rebecca Jany
Andrea Jeftanovic
Ana Jelnikar
Miroslav Jindra
Stephanie Johnson
Bret Anthony Johnston
Marion Jones
Tim Jones
Gabriel Josipovici
Pierre-Albert Jourdan
Sophie Judah
Tomoko Kanda
Maarja Kangro
Jana Kantorová-Báliková
Fawzi Karim
Kapka Kassabova
Susan Kelly-DeWitt
Mimi Khalvati
Daniil Kharms
Velimir Khlebnikov
Akhmad hoji Khorazmiy
David Kinloch
John Kinsella
Yudit Kiss
Tomislav Kuzmanović
Andrea Labinger
Charles Lambert
Christopher Lane
Jan Lauwereyns
Fernando Lavandeira
Graeme Lay
Ilias Layios
Hiên-Minh Lê
Mikhail Lermontov
Miriam Levine
Suzanne Jill Levine
Micaela Lewitt
Zhimin Li
Joanne Limburg
Birgit Linder
Pippa Little
Parvin Loloi
Christopher Louvet
Helen Lowe
Ana Lucic
Aonghas MacNeacail
Kona Macphee
Kate Mahony
Sara Maitland
Channah Magori
Vasyl Makhno
Marcelo Maturana Montañez
Stephanie Mayne
Ben Mazer
Harvey Molloy
Osip Mandelstam
Alberto Manguel
Olga Markelova
Laura Marney
Geraldine Maxwell
John McAuliffe
Peter McCarey
John McCullough
Richard McKane
John MacKinven
Cilla McQueen
Edie Meidav
Ernst Meister
Lina Meruane
Jesse Millner
Deborah Moggach
Mawatle J. Mojalefa
Jonathan Morley
César Moro
Helen Mort
Laura Moser
Andrew Motion
Paola Musa
Robin Myers
André Naffis-Sahely
Vivek Narayanan
Bob Natifu
María Negroni
Hernán Neira
Barbra Nightingale
Paschalis Nikolaou
James Norcliffe
Carol Novack
Annakuly Nurmammedov
Joyce Carol Oates
Sunday Enessi Ododo
Obododimma Oha
Michael O'Leary
Antonio Diaz Oliva
Wilson Orhiunu
Maris O'Rourke
Sue Orr
Wendy O'Shea-Meddour
María Claudia Otsubo
Ruth Padel
Ron Padgett
Thalia Pandiri
Judith Dell Panny
Hom Paribag
Lawrence Patchett
Ian Patterson
Georges Perros
Pascale Petit
Aleksandar Petrov
Mario Petrucci
Geoffrey Philp
Toni Piccini
Henning Pieterse
Robert Pinsky
Mark Pirie
David Plante
Nicolás Poblete
Sara Poisson
Clare Pollard
Mori Ponsowy
Wena Poon
Orest Popovych
Jem Poster
Begonya Pozo
Pauline Prior-Pitt
Eugenia Prado Bassi
Ian Probstein
Sheenagh Pugh
Kate Pullinger
Zosimo Quibilan, Jr
Vera V. Radojević
Margaret Ranger
Tessa Ransford
Shruti Rao
Irina Ratushinskaya
Tanyo Ravicz
Richard Reeve
Sue Reidy
Joan Retallack
Laura Richardson
Harry Ricketts
Ron Riddell
Cynthia Rimsky
Loreto Riveiro Alvarez
James Robertson
Peter Robertson
Gonzalo Rojas
Dilys Rose
Gabriel Rosenstock
Jack Ross
Anthony Rudolf
Basant Rungta
Joseph Ryan
Sean Rys
Jostein Sæbøe
André Naffis Sahely
Eurig Salisbury
Fiona Sampson
Polly Samson
Priya Sarukkai Chabria
Maree Scarlett
John Schad
Michael Schmidt
L.E. Scott
Maureen Seaton
Alexis Sellas
Hadaa Sendoo
Chris Serio
Resul Shabani
Bina Shah
Yasir Shah
Daniel Shapiro
Ruth Sharman
Tina Shaw
David Shields
Ana María Shua
Christine Simon
Iain Sinclair
Katri Skala
Carole Smith
Ian C. Smith
Elizabeth Smither
John Stauffer
Jim Stewart
Susan Stewart
Jesper Svenbro
Virgil Suárez
Lars-Håkan Svensson
Sridala Swami
Rebecca Swift
George Szirtes
Chee-Lay Tan
Tugrul Tanyol
José-Flore Tappy
Alejandro Tarrab
Campbell Taylor
John Taylor
Judith Taylor
Petar Tchouhov
Miguel Teruel
John Thieme
Karen Thornber
Tim Tomlinson
Angela Topping
David Trinidad
Kola Tubosun
Nick Vagnoni
Joost Vandecasteele
Jan van Mersbergen
Latika Vasil
Yassen Vassilev
Lawrence Venuti
Lidia Vianu
Dev Virahsawmy
Anthony Vivis
Richard Von Sturmer
Răzvan Voncu
Nasos Vayenas
Mauricio Wacquez
Julie Marie Wade
Alan Wall
Marina Warner
Mia Watkins
Peter Wells
Stanley Wells
Laura Watkinson
Joe Wiinikka-Lydon
Hayden Williams
Edwin Williamson
Ronald V. Wilson
Stephen Wilson
Alison Wong
Leslie Woodard
Elzbieta Wójcik-Leese
Niel Wright
Manolis Xexakis
Xu Xi
Gao Xingjian
Sonja Yelich
Tamar Yoseloff
Augustus Young
Soltobay Zaripbekov
Karen Zelas
Alan Ziegler
Ariel Zinder

 

President, Publisher & Founding Editor:
Peter Robertson
Vice-President: Glenna Luschei
Vice-President: Sari Nusseibeh
Vice-President: Elena Poniatowska
London Editor/Senior Editor-at-Large: Geraldine Maxwell
New York Editor/Senior Editor-at-Large: Meena Alexander
Washington D.C. Editor/Senior
Editor-at-Large:
Laura Moser
Argentine Editor: Yamila Musa
Deputy Editor: Allen Hibbard
Deputy Editor: Jerónimo Mohar Volkow
Deputy Editor: Bina Shah
Advisory Consultant: Jill Dawson
General Editor: Beatriz Hausner
General Editor: Malvina Segui
Art Editor: Lara Alcantara-Lansberg
Art Editor: Calum Colvin
Deputy General Editor: Jeff Barry

Consulting Editors
Shanta Acharya
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
Alain de Botton
Carmen Boullossa
Rachel Bowlby
Svetlana Boym
Peter Brooks
Marina Brownlee
Roberto Brodsky
Carmen Bugan
Jenni Calder
Stanley Cavell
Hollis Clayson
Sarah Churchwell
Marcelo Cohen
Kristina Cordero
Drucilla Cornell
Junot Díaz
André Dombrowski
Denis Donoghue
Ariel Dorfman
Rita Dove
Denise Duhamel
Klaus Ebner
Robert Elsie
Stefano Evangelista
Orlando Figes
Tibor Fischer
Shelley Fisher Fishkin
Peter France
Nancy Fraser
Maureen Freely
Michael Fried
Marjorie Garber
Anne Garréta
Marilyn Gaull
Zulfikar Ghose
Paul Giles
Lydia Goehr
Vasco Graça Moura
A. C. Grayling
Stephen Greenblatt
Lavinia Greenlaw
Lawrence Grossberg
Edith Grossman
Elizabeth Grosz
Boris Groys
David Harsent
Benjamin Harshav
Geoffrey Hartman
François Hartog
Molly Haskell
Selina Hastings
Beatriz Hausner
Valerie Henitiuk
Kathryn Hughes
Aamer Hussein
Djelal Kadir
Kapka Kassabova
John Kelly
Martin Kern
Mimi Khalvati
Joseph Koerner
Annette Kolodny
Julia Kristeva
George Landow
Chang-Rae Lee
Mabel Lee
Linda Leith
Suzanne Jill Levine
Lydia Liu
Margot Livesey
Julia Lovell
Thomas Luschei
Willy Maley
Alberto Manguel
Ben Marcus
Paul Mariani
Marina Mayoral
Richard McCabe
Campbell McGrath
Jamie McKendrick
Edie Meidav
Jack Miles
Toril Moi
Susana Moore
Laura Mulvey
Azar Nafisi
Martha Nussbaum
Tim Parks
Clare Pettitt
Caryl Phillips
Robert Pinsky
Elizabeth Powers
Elizabeth Prettejohn
Martin Puchner
Kate Pullinger
Paula Rabinowitz
Rajeswari Sunder Rajan
James Richardson
François Rigolot
Geoffrey Robertson
Ritchie Robertson
Avital Ronell
Carla Sassi
Michael Scammell
Celeste Schenck
Daniel Shapiro
Sudeep Sen
Hadaa Sendoo
Miranda Seymour
Daniel Shapiro
Mimi Sheller
Elaine Showalter
Penelope Shuttle
Werner Sollors
Frances Spalding
Gayatri Chakravorty Spivak
Julian Stallabrass
Susan Stewart
Rebecca Stott
Mark Strand
Kathryn Sutherland
John Whittier Treat
David Treuer
David Trinidad
Marjorie Trusted
Lidia Vianu
Victor Vitanza
Marina Warner
David Wellbery
Edwin Williamson
Michael Wood
Theodore Zeldin

Assistant Editor: Sara Besserman
Assistant Editor: Ana de Biase
Assistant Editor: Conor Bracken
Assistant Editor: Eugenio Conchez
Assistant Editor: Patricia Delmar
Assistant Editor: Lucila Gallino
Assistant Editor: Sophie Lewis
Assistant Editor: Krista Oehlke
Assistant Editor: Siska Rappé
Assistant Editor: Naomi Schub
Assistant Editor: Stephanie Smith
Assistant Editor: Emily Starks
Assistant Editor: Robert Toperter
Assistant Editor: Laurence Webb
Art Consultant: Verónica Barbatano
Art Consultant: Angie Roytgolz

 

Glenna Luschei

The Power of Prose:
From Three Rivers: A Memoir
By: Glenna Luschei
 

 



(Chapter Twenty-Five)

Seahorses and Mermaids

I never want to leave New Mexico. I’d been in Albuquerque for a New Year's retreat, a quest, with my women friends of many years. My plan was to meditate and ask for guidance; how to help Linda with her next months, with her final wishes.

Linda said, “The sunflower is my symbol of hope.” Like the sunflower, she kept turning toward the light, toward hope, and away from the tasks that accompany dying. Even though I went in and out of denial about her prognosis, I felt that she needed the calm that would follow the resolution of her estate and funeral plans. Just in case.

During the retreat, an emergency call from Boston interrupted my quest.

Erich said, “Mom I need your help.” His pregnant wife Laurie was experiencing complications and her doctor had ordered bed rest until the birth of her twins. Could I come and care for their older child, my grandson Danny?

When the sun came up the next morning, watermelon pink washed over the snow-dusted sandias. Sandia means watermelon, but the mountains were named for the Indian tribes who inhabited them. I didn't want to leave. On this trip, I’d planned to drive to Zuni for Epiphany at the village church, with its murals of Pueblo gods dancing then toward the risen Christ and shaggy buffalo heads over the pulpits. I intended to journey on to Chaco Canyon, to walk through Pueblo Bonito in the snow, before returning to California and Linda.

Instead, I would fly to Logan Airport. The desk clerk at La Posada came out to say good-bye to me. “Did you hear about the big storm? They've closed airports on the East Coast."

“And I'm headed for Boston,” I answered.

“Don't go,” he said.

I thought twice about getting on that flight. Was the storm an omen? I wanted to focus on Linda, but Erich’s desperate voice on the phone tugged at my heart. I had to go.

The roof and ledges at the Albuquerque airport were still lined with electric Christmas luminarias, made to look like the traditional paper sacks that hold candles embedded in sand. They would be lit for the last time on El Dia de los Reyes, but I’d be in Boston by then. I wished Linda were with me. She and I had tramped through the snow together in New York ten years earlier, in silence and sorrow after Michael died.

From the air, I saw that the mountain lakes between Albuquerque and Denver were frozen at the edges with liquid centers, the color pattern of agates. It looked as if there were lights in the center of each one, as if dolphins were swimming in circles, the banded patterns following like the wakes of their tails.

As we flew, I pondered a dream I had during the Albuquerque retreat. I was in a dentist’s chair. All of a sudden the rinsing tube flooded my mouth with water. I felt like I might drown. A figure with crossed-out eyes appeared before me. It pleaded with me, “Why did you murder me, why, why?” It was a recurring dream that I had first had in Iowa City graduate days. The people of the dream were different but always brought with them paralyzing guilt —I had neglected my poetry mission, smothered my vision.

In an earlier chapter, I kept referring to Henry James’ The Golden Bowl in describing my marriage. Portrait of a Lady, the story of Isabel Archer who had so many gifts she could not decide how to use them, also parallels my own story. Poetry, publishing, ranching, mothering, gardening—the reality is that to focus exclusively on your profession is challenging when you are a mother. Even to focus on one child’s need is very difficult when the others call out to you.

The spectacular quiet flight made it hard to believe the report of east coast turbulence until the pilot announced, “Flights to JFK and Dallas have been cancelled,” just before we landed in Denver.

I found my gate in the airport for the second leg of my flight. The agent confirmed the plane to Boston would try to go ahead, although conditions were worsening there.

“It won't be a pretty flight,” she offered. “It's the only one going east today.”

Only my love for Erich and the vision of him waiting for me at the airport, tired and worried about his wife, got me on that plane. As I sank into a chair to await boarding, I turned my full attention to my second child.

Erich, then in his mid-thirties, looked like a young Bill Clinton without the bodyguards.

When Clinton first emerged in the 1992 campaign, Linda remarked how Erich's rugged good looks resembled the candidate's. Gaby noted that they both loved fast food. I was touched at Clinton's support for his mother during the many years she was a single parent, how they battled the world together, just as Erich and I had. The clincher in this resemblance came when Tom read in The New Yorker that Bill Clinton once stomped out of a room over a Risk game. Risk was Erich's favorite board game when he was younger. I never knew what violent reaction his losing Turkey and Afghanistan might precipitate.

As a boy, Erich was Tom Sawyer, always hauling home treasures he found in the desert. Once I looked out the window to see him free-wheeling an old bicycle tire while dangling a large blue-belly lizard from a grass noose he had made. He kept the lizard as a pet. Sometime after its demise, I found a small faded cardboard marker, glued to a popsicle-stick and pushed into the hard caliche behind the house, where he had buried the lizard. It read, “Here lies George, a true and loil lizard.” Later when we moved to San Luis Obispo, fishing became his passion and he bought mealworms with his allowance, which metamorphosed into black beetles. They swarmed through our garage, unto their next reincarnation.

Erich divines my nature and needs, sometimes before I do. He sticks with me through life’s adventures without criticism. He and I were closest during the disintegration of our family. When Martin left, thirteen year old Erich moved his dinner plate to the head of the table without comment. He seemed to take on the yoke of pulling the family wagon alongside me as easily as he took my hand when we walked, well into his teens. When Martin told the judge at our custody hearing that I was unfit to raise my children, Erich reminded me that it was not I but Martin who had ripped apart the fabric of our family through his erratic behavior, drawing Linda and Gabi into his alliance.

After the divorce, high-schooler Erich took a job at a restaurant in San Luis Obispo. I thought its name, The Silent Woman, was degrading. Once, when I dined there with friends, the food was so terrible that I asked to see the chef. To my surprise it was Erich. I had thought he was bussing tables or washing dishes.

I asked him, “Erich how could you serve that food?”

He replied, “Sorry mom. I just did what they said, ‘Put package A into package B.’ Honest!”

Erich left cooking and baseball to go to college and become a lawyer. Once, when he was a sophomore in college, he called me in the middle of the night.

“Mom,” he said, “I’ve found out that there’s no meaning to life.”

Gathering my thoughts together from deep sleep, I paused and then said to my son, “We can only receive life. It’s a gift.”

Erich also was a joker. One afternoon in the mid-seventies, I was struggling to finish organizing a poetry and jazz festival in San Luis Obispo for my performance group, Solo Flight. We had run into community opposition roused by a previous event, during which Lawrence Ferlinghetti supposedly had uttered obscenities during a public reading at Mission Plaza. In reality it was a lesser-known poet who had stood up. The good people of San Luis Obispo didn’t recognize who Ferlinghetti was and confused the situation. As I sat perplexed and fearful that the poets I’d selected would raise public ire, someone telephoned.

“This is Kenneth,” squawked the voice on the line. I suspected it wasn't really Kenneth Rexroth on the phone. It turned out to be my Erich, who had developed a pitch-perfect imitation of Kenneth's special rasp.

Kenneth Rexroth had become a frequent consoler and counselor to my son during those years between my divorce from Martin and my marriage to Bill, a time when Erich really needed a father. To Kenneth, Erich confided his worries about being head of our household, whether he could try for a baseball career, whether he could even go on to college. He assured him that he could go wherever he wanted, that he would become educated whether he went to college or not.

Kenneth was a kindly muse, however roughhewn. He inspired both Erich and me. I was very worried about the success of the upcoming Solo Flight event, if anyone would even show up, if a poet would use a bad word on stage. I feared that, in total repudiation of my vision for an arts community in San Luis, the city arts council would make me repay their grant.

Kenneth was unflappable. His input and presence ensured the event’s success, like the "Seventy-Six Trombones" scene in The Music Man, when all the great musicians came to town on the 4th of July. So many people crowded into Cal Poly’s Little Theatre for the performance that the Fire Marshal had to ask latecomers to leave, including the city councilman who had voted against the project and called us dangerous "Bohemians."

Subsequently, the City of San Luis Obispo funded other readings we sponsored: Ernest Gaines, Carlos Fuentes (who came to my class at the prison, as did Robert Bly), John Rechy and Gwendolyn Brooks. When I visited her not long before she died, she spoke of that reading in San Luis Obispo.

I never saw Kenneth again. He died a few years later. Erich went to Kenneth's funeral on the same day as his graduation from UC Santa Barbara. From the podium as he received his diploma, he said, "Farewell to Kenneth Rexroth." Later, he told me that, since Kenneth had told him he could do it, he knew he would graduate.

Later, I was to read one of Kenneth's poems at Aunt B’s funeral beneath the Jacaranda trees. At his words, I recalled once again that Rexroth was among the giants of modern poetry, but during the days he befriended Erich, he was part of the family. He was both erudite and natural.

I shook myself out of my reverie and filed with others into the crowded plane, full to the last seat with rerouted passengers.

The pilot maneuvered the plane through the rough weather in a zig-zag pattern like a Wild Mouse ride, catching an updraft, bearing down on the left, swerving to the right.

I thought of the Taoist story about the butcher who managed to saw through the innards of an ox, cutting through without effort. No bones in these clouds. The plane seemed to pierce through without effort. The ride turned out to be exuberant and not risky. It reminded me of the Christmas when Tom bought us tickets to fly over the Grand Canyon. I’d decided to be thrilled instead of terrified as we dipped low over the Temple of Vishnu.

As the day waned, I thought I spotted the lights of Boston below. But the plane turned left and the intercom crackled, “We’ve been advised to turn north. Logan Airport is closed right now. The runway crews are trying to get the snow off the ground. We’ll be circling for a while.”

Forty minutes later, we plunged through a snow-filled sky toward the airport. The buildings below looked like constellations wrapped in angel hair, lights on an old-fashioned Christmas tree. The crowd applauded when the pilot touched the ground in a perfect landing.

My son stood at the gate. He grinned and waved. But the scar on his forehead where he fell off the piano as a toddler throbbed and his eyes looked haggard.

"What's wrong, Erich?" I asked, hugging him.

"Laurie's in Brigham Women’s Hospital. She's had some vaginal bleeding."

"Where's Danny?" I asked.

"Laurie's mother took him home with her, but she has to work tomorrow. I'm so glad you got here. The airport's been closed all day. How’s Linda?”

"Happy. I’ll see her for her birthday next week."

Erich and I both breathed with an unspoken gratitude that she would celebrate another birthday.

The road spread before us, a confusing pattern of red and blue reflections on a wet pavement. Drifts crusted along the roadway as we parked near the hospital. Erich led me across the plowed snow.

We hurried down the hospital corridor. Laurie sat on the gurney in an emergency room cubicle, her arresting black hair spilling over a hospital gown. My daughter-in-law’s enormous dark eyes were dull with exhaustion. I hugged her, too hard. “How are you?” I didn’t want to ask how the babies were.

The nurse hurried in, nodding at me.

"We've got to get some ultrasounds, quickly," she said. Seven months pregnant and weak, Laurie could still hoist herself onto the table. The nurse wheeled in a computer-like apparatus and spread gel over my daughter-in-law’s abdomen, then moved a spoon-like instrument in circular motions across the firm flesh.

We looked at the overhead monitor and saw a pattern like swirls in water. The babies were so big, it was hard to distinguish them.

"Can you make out anything, Glenna?" Laurie asked. “The last time I saw them they were pretty babies, swimming around like dolphins."

"I thought of dolphins swimming today," I said. "The scan reminds me of some lakes I flew over after we left Albuquerque."

The image looked like the first day of creation, with rock masses and bone formations amid the swirls. "There's a spine" I said. "I think it's a sea horse."

"A sea horse and a dolphin," answered Laurie.

"We should give them mermaid names, then." I smiled, relaxing a little.

Laurie tipped her head. "I still like Alexandria and Savannah."

"The nurse wiped the gel from my daughter-in-law's belly. She punched a button on the computer. "I'll get a copy of the print-out for you."

This was a new world for me, seeing my twin granddaughters on the ultrasound, and then holding a description of them in my hand. Baby one weighed three pounds, four ounces. Baby two weighed three pounds, two ounces.

"It looks like Alexandria is getting more than her share,” I said.

As soon as we returned to Laurie's ER cubicle, an intern stepped in.

"Let's put some weight on those babies." The doctor turned to Laurie. "See if you can keep them in there for another month. At thirty-two weeks, they should be able to live without tubes. But take it easy and try to keep them until thirty-six. That's a normal gestation for twins.”

"I've seen the way they handle preemies," Laurie said. “Like toxic waste, in little plastic sacks. I want my babies to go full term so I can breastfeed them and get them off to a normal start."

"Then keep her off her feet, Grandmother." The intern stepped out.

"I'll get the car," said Erich, who had been unusually quiet, holding Laurie’s hand. I helped Laurie to the hospital entrance. We rode home through falling snow, a peaceful city night. I thought I saw lightning once when I woke up later. But it was only the beam of light from a midnight snowplow.

“Snowplow” turned out to be the most common word in Boston that week, followed closely by “shovel.” One man sold 15,000 snow shovels over the weekend. Laurie's mother fired the snowplow operator for destroying her driveway landscaping.

"I'll have Erich shovel out my driveway," she said.

"Please call Triple A,” I pleaded. "Erich’s so stressed right now. I'm afraid he might have a heart attack."

My children’s health vulnerabilities haunted me after so much worry about Linda. At that time, no man in my family had lived beyond his late sixties, though now, twenty years’ later, my brother is still going strong in his seventies. The many pressures on Erich's life at work, and the added stress of Laurie’s condition, worried me.

One Saturday, he and I spent the whole day standing in an endless line at the DMV for a safety sticker, buying groceries, shopping for a bed for Danny.

"There's no time, no matter how I try to manage it, there's just no time," Erich said, shaking his head.

"Erich, tell me what I can do to take the pressure off. I don't want to frighten you but it alarms me to see you racing all the time. Tell me how I can help. I’m here for you.”

"You’ve always been there when I needed you, Mom."

Tears welled in my eyes. "One thing I can promise you is that there will be a delicious meal for you every night and someone to put Danny in bed and read to him, so that you and Laurie can get a good rest. Also, I'll take over the laundry.” I’d peered into the basement earlier—huge drifts of sheets, towels and underwear.

"I feel more rested already, with you here," said Erich.

When I was a child, my Grandmother Stevens responded to all emergencies on her Nebraska farm by cooking up a huge meal. I used to push corncobs into her woodstove for her while she whipped up bowls of mashed potatoes, piles of roasted chicken parts, rows of pies.

As a little girl, I went with her to buy ice for the front porch icebox and scooted out of the way when the man loaded it into the back of the wagon with giant tongs. I helped her pour hot water over just-slaughtered chickens before she plucked them. I remember the unshelled eggs, each one smaller than the last, that grandmother would take from the hen carcasses, cook whole and serve with homemade noodles. Lemon meringue pie came from her oven, too, along with the best Yankee pot-roast anybody ever ate.

At Erich’s, deep in northern Yankee country, I put a New England pot roast in the oven. A hearty meal for my lawyer son when he got home from his current trial, if he could make it through the snow, cresting at six feet. Strong wholesome fare for Laurie and Danny.

What a peaceful moment, as I cooked, looking out on a snow-coated pine forest from the kitchen window, while Laurie rested and my two-year-old grandson watched a video.

That day, Tip O'Neal's funeral showed on three networks. Two deaths filled the news while I visited Boston—Speaker O'Neal and Virginia Kelly, President Clinton's mother. Family and Senate colleagues lauded Tip O'Neal as the common people’s friend. Every time he came home from Washington, one man noted, he visited Boston’s small shops and shook hands with customers. Commentators said of Bill Clinton's mother that she had instilled fearlessness and determination in her son, and he credited her for the success of his presidential campaign.

I went to check on Danny.

"Spot," he said, holding out his book, Where’s Spot?, and flashing his wide smile at me.

My first grandson’s beauty always made my heart quicken. As a toddler, Danny looked like a perfect proof of both his parents, Laurie's black hair and large dark eyes, combined with Erich's fair coloring.

As I watched the mourners at Tip O'Neal’s funeral, Ted Kennedy among them, I thought of a question posed to us at the Albuquerque retreat: “What would you regret when you look back at age ninety-five?"

What would Tip O'Neal regret? Of what would he be proud? I could hear him say in his Boston Irish brogue, "I never sold out, even in all the deal-making a politician must do."

I could hear Virginia Kelly chime in, "I never backed away from adventure."

That's what I want to say, I thought. I never sold out and I never rejected adventure. I too want to be remembered as a person of strong will who didn't get steamrollered by life. What would Linda say?

“Let’s give Linda a call,” I said to Erich.

The next night I searched the cupboards to see what I might throw together for dessert. I found some vanilla custard mix—a perfect base for persimmon pudding. The persimmon that I brought from California stood out on the kitchen counter, bright as an oriole.

As I searched Laurie’s bookcase for a cookbook, I came across Michael Callan's Surviving AIDS. He had died just before New Year’s Day, three weeks after we heard him sing when he and Linda received their Life Achievement awards from the City of Los Angeles. Wanting to lessen hers, I hadn’t mentioned my sadness to Linda. I think that this was a mistake I made too often—not talking about grief never lessens it. As I thumbed through the book, my heart rang with his beautiful song, “Love Don’t Have a Reason.”

Callan listed characteristics that helped a number of long-term survivors stay alive. They were all fighters like Linda. They insisted on experiencing all that life could offer rather than settling for being an invalid. In his story about Rita, Callan described her as a robust woman, who people would not believe had AIDS. Just like Linda, the picture of health.

My oldest daughter used to say she had more vitality than people who were not infected. We all believed it. Later that night, after pot roast and pudding, I called her again. I’d put Danny to sleep with a song from my grandmother, "Mommy closes eyes, Daddy closes eyes,” then I sang through the list of relatives and baby-sitters. Danny added, "Aladdin closes eyes and Spot closes eyes," and then he was out.

Linda picked up the phone on the first ring. She asked about Laurie.

"She’s better, resting. The twins are okay. I'll be back for your birthday," I said. "Bill called this morning and said he picked out a pair of cymbidia for you at the nursery."

"That's wonderful," she replied. "I want to fill my house with orchids. I bring fresh flowers in every day. Steve and I have a special restaurant we want to take you to when you come down to see us.”

"Oh Mom," she added, "I want to swim with dolphins."

"Dolphins," I said. "That's remarkable. Laurie and I were talking about dolphins at the hospital. That's what the twins look like on the ultrasound. And the light on the lakes I flew over on my way to Denver looked like dolphins swimming."

Just then I heard Danny howling from upstairs, not asleep after all. "Oh, Danny's awake! Talk to you later. Love you, bye."

My life. Pulled in all directions. But as my Buddhist master, Suzuki, says, “Calmness in activity is an achievement.”

"The Power of Prose"