The International Literary Quarterly
Contributors

Shanta Acharya
Marjorie Agosín
Donald Adamson
Diran Adebayo
Nausheen Ahmad
Toheed Ahmad
Amanda Aizpuriete
Baba Akote
Elisa Albo
Daniel Albright
Meena Alexander
Rosetta Allan
María Teresa Andruetto
Innokenty Annensky
Claudia Apablaza
Robert Appelbaum
Michael Arditti
Jenny Argante
Sandra Arnold
C.J.K. Arkell
Agnar Artúvertin
Sarah Arvio
Rosemary Ashton
Mammed Aslan
Coral Atkinson
Rose Ausländer
Shushan Avagyan
Razif Bahari
Elizabeth Baines
Jo Baker
Ismail Bala
Evgeny Baratynsky
Saule Abdrakhman-kyzy Batay
Konstantin Nikolaevich Batyushkov
William Bedford
Gillian Beer
Richard Berengarten
Charles Bernstein
Ilya Bernstein
Mashey Bernstein
Christopher Betts
Sujata Bhatt
Sven Birkerts
Linda Black
Chana Bloch
Amy Bloom
Mary Blum Devor
Michael Blumenthal
Jean Boase-Beier
Jorge Luis Borges
Alison Brackenbury
Julia Brannigan
Theo Breuer
Iain Britton
Françoise Brodsky
Amy Brown
Bernard Brown
Diane Brown
Gay Buckingham
Carmen Bugan
Stephen Burt
Zarah Butcher McGunnigle
James Byrne
Kevin Cadwallander
Howard Camner
Mary Caponegro
Marisa Cappetta
Helena Cardoso
Adrian Castro
Luis Cernuda
Firat Cewerî
Pierre Chappuis
Neil Charleton
Janet Charman
Sampurna Chattarji
Amit Chaudhuri
Mèlissa Chiasson
Ronald Christ
Alex Cigale
Sally Cline
Marcelo Cohen
Lila Cona
Eugenio Conchez
Andrew Cowan
Mary Creswell
Christine Crow
Pedro Xavier Solís Cuadra
Majella Cullinane
P. Scott Cunningham
Emma Currie
Jeni Curtis
Stephen Cushman
David Dabydeen
Susan Daitch
Rubén Dario
Jean de la Fontaine
Denys Johnson Davies
Lydia Davis
Robert Davreu
David Dawnay
Jill Dawson
Rosalía de Castro
Joanne Rocky Delaplaine
Patricia Delmar
Christine De Luca
Tumusiime Kabwende Deo
Paul Scott Derrick
Josephine Dickinson
Belinda Diepenheim
Jenny Diski
Rita Dove
Arkadii Dragomoschenko
Paulette Dubé
Denise Duhamel
Jonathan Dunne
S. B. Easwaran
Jorge Edwards
David Eggleton
Mohamed El-Bisatie
Tsvetanka Elenkova
Johanna Emeney
Osama Esber
Fiona Farrell
Ernest Farrés
Elaine Feinstein
Gigi Fenster
Micah Timona Ferris
Vasil Filipov
Maria Filippakopoulou
Ruth Fogelman
Peter France
Alexandra Fraser
Bashabi Fraser
Janis Freegard
Robin Fry
Alice Fulton
Ulrich Gabriel
Manana Gelashvili
Laurice Gilbert
Paul Giles
Zulfikar Ghose
Corey Ginsberg
Chrissie Gittins
Sarah Glazer
Michael Glover
George Gömöri
Giles Goodland
Martin Goodman
Roberta Gordenstein
Mina Gorji
Maria Grech Ganado
David Gregory
Philip Gross
Carla Guelfenbein
Daniel Gunn
Charles Hadfield
Haidar Haidar
Ruth Halkon
Tomás Harris
Geoffrey Hartman
Siobhan Harvey
Beatriz Hausner
John Haynes
Jennifer Hearn
Helen Heath
Geoffrey Heptonstall
Felisberto Hernández
W.N. Herbert
William Hershaw
Michael Hettich
Allen Hibbard
Hassan Hilmi
Rhisiart Hincks
Kerry Hines
Amanda Hopkinson
Adam Horovitz
David Howard
Sue Hubbard
Aamer Hussein
Fahmida Hussain
Alexander Hutchison
Sabine Huynh
Juan Kruz Igerabide Sarasola
Neil Langdon Inglis
Jouni Inkala
Ofonime Inyang
Kevin Ireland
Michael Ives
Philippe Jacottet
Robert Alan Jamieson
Rebecca Jany
Andrea Jeftanovic
Ana Jelnikar
Miroslav Jindra
Stephanie Johnson
Bret Anthony Johnston
Marion Jones
Tim Jones
Gabriel Josipovici
Pierre-Albert Jourdan
Sophie Judah
Tomoko Kanda
Maarja Kangro
Jana Kantorová-Báliková
Fawzi Karim
Kapka Kassabova
Susan Kelly-DeWitt
Mimi Khalvati
Daniil Kharms
Velimir Khlebnikov
Akhmad hoji Khorazmiy
David Kinloch
John Kinsella
Yudit Kiss
Tomislav Kuzmanović
Andrea Labinger
Charles Lambert
Christopher Lane
Jan Lauwereyns
Fernando Lavandeira
Graeme Lay
Ilias Layios
Hiên-Minh Lê
Mikhail Lermontov
Miriam Levine
Suzanne Jill Levine
Micaela Lewitt
Zhimin Li
Joanne Limburg
Birgit Linder
Pippa Little
Parvin Loloi
Christopher Louvet
Helen Lowe
Ana Lucic
Aonghas MacNeacail
Kona Macphee
Kate Mahony
Sara Maitland
Channah Magori
Vasyl Makhno
Marcelo Maturana Montañez
Stephanie Mayne
Ben Mazer
Harvey Molloy
Osip Mandelstam
Alberto Manguel
Olga Markelova
Laura Marney
Geraldine Maxwell
John McAuliffe
Peter McCarey
John McCullough
Richard McKane
John MacKinven
Cilla McQueen
Edie Meidav
Ernst Meister
Lina Meruane
Jesse Millner
Deborah Moggach
Mawatle J. Mojalefa
Jonathan Morley
César Moro
Helen Mort
Laura Moser
Andrew Motion
Paola Musa
Robin Myers
André Naffis-Sahely
Vivek Narayanan
Bob Natifu
María Negroni
Hernán Neira
Barbra Nightingale
Paschalis Nikolaou
James Norcliffe
Carol Novack
Annakuly Nurmammedov
Joyce Carol Oates
Sunday Enessi Ododo
Obododimma Oha
Michael O'Leary
Antonio Diaz Oliva
Wilson Orhiunu
Maris O'Rourke
Sue Orr
Wendy O'Shea-Meddour
María Claudia Otsubo
Ruth Padel
Ron Padgett
Thalia Pandiri
Judith Dell Panny
Hom Paribag
Lawrence Patchett
Ian Patterson
Georges Perros
Pascale Petit
Aleksandar Petrov
Mario Petrucci
Geoffrey Philp
Toni Piccini
Henning Pieterse
Robert Pinsky
Mark Pirie
David Plante
Nicolás Poblete
Sara Poisson
Clare Pollard
Mori Ponsowy
Wena Poon
Orest Popovych
Jem Poster
Begonya Pozo
Pauline Prior-Pitt
Eugenia Prado Bassi
Ian Probstein
Sheenagh Pugh
Kate Pullinger
Zosimo Quibilan, Jr
Vera V. Radojević
Margaret Ranger
Tessa Ransford
Shruti Rao
Irina Ratushinskaya
Tanyo Ravicz
Richard Reeve
Sue Reidy
Joan Retallack
Laura Richardson
Harry Ricketts
Ron Riddell
Cynthia Rimsky
Loreto Riveiro Alvarez
James Robertson
Peter Robertson
Gonzalo Rojas
Dilys Rose
Gabriel Rosenstock
Jack Ross
Anthony Rudolf
Basant Rungta
Joseph Ryan
Sean Rys
Jostein Sæbøe
André Naffis Sahely
Eurig Salisbury
Fiona Sampson
Polly Samson
Priya Sarukkai Chabria
Maree Scarlett
John Schad
Michael Schmidt
L.E. Scott
Maureen Seaton
Alexis Sellas
Hadaa Sendoo
Chris Serio
Resul Shabani
Bina Shah
Yasir Shah
Daniel Shapiro
Ruth Sharman
Tina Shaw
David Shields
Ana María Shua
Christine Simon
Iain Sinclair
Katri Skala
Carole Smith
Ian C. Smith
Elizabeth Smither
John Stauffer
Jim Stewart
Susan Stewart
Jesper Svenbro
Virgil Suárez
Lars-Håkan Svensson
Sridala Swami
Rebecca Swift
George Szirtes
Chee-Lay Tan
Tugrul Tanyol
José-Flore Tappy
Alejandro Tarrab
Campbell Taylor
John Taylor
Judith Taylor
Petar Tchouhov
Miguel Teruel
John Thieme
Karen Thornber
Tim Tomlinson
Angela Topping
David Trinidad
Kola Tubosun
Nick Vagnoni
Joost Vandecasteele
Jan van Mersbergen
Latika Vasil
Yassen Vassilev
Lawrence Venuti
Lidia Vianu
Dev Virahsawmy
Anthony Vivis
Richard Von Sturmer
Răzvan Voncu
Nasos Vayenas
Mauricio Wacquez
Julie Marie Wade
Alan Wall
Marina Warner
Mia Watkins
Peter Wells
Stanley Wells
Laura Watkinson
Joe Wiinikka-Lydon
Hayden Williams
Edwin Williamson
Ronald V. Wilson
Stephen Wilson
Alison Wong
Leslie Woodard
Elzbieta Wójcik-Leese
Niel Wright
Manolis Xexakis
Xu Xi
Gao Xingjian
Sonja Yelich
Tamar Yoseloff
Augustus Young
Soltobay Zaripbekov
Karen Zelas
Alan Ziegler
Ariel Zinder

 

President, Publisher & Founding Editor:
Peter Robertson
Vice-President: Glenna Luschei
Vice-President: Sari Nusseibeh
Vice-President: Elena Poniatowska
London Editor/Senior Editor-at-Large: Geraldine Maxwell
New York Editor/Senior Editor-at-Large: Meena Alexander
Washington D.C. Editor/Senior
Editor-at-Large:
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Argentine Editor: Yamila Musa
Deputy Editor: Allen Hibbard
Deputy Editor: Jerónimo Mohar Volkow
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Advisory Consultant: Jill Dawson
General Editor: Beatriz Hausner
General Editor: Malvina Segui
Art Editor: Lara Alcantara-Lansberg
Art Editor: Calum Colvin
Deputy General Editor: Jeff Barry

Consulting Editors
Shanta Acharya
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
Alain de Botton
Carmen Boullossa
Rachel Bowlby
Svetlana Boym
Peter Brooks
Marina Brownlee
Roberto Brodsky
Carmen Bugan
Jenni Calder
Stanley Cavell
Hollis Clayson
Sarah Churchwell
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Kristina Cordero
Drucilla Cornell
Junot Díaz
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Orlando Figes
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Lawrence Grossberg
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François Hartog
Molly Haskell
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Beatriz Hausner
Valerie Henitiuk
Kathryn Hughes
Aamer Hussein
Djelal Kadir
Kapka Kassabova
John Kelly
Martin Kern
Mimi Khalvati
Joseph Koerner
Annette Kolodny
Julia Kristeva
George Landow
Chang-Rae Lee
Mabel Lee
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Suzanne Jill Levine
Lydia Liu
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Assistant Editor: Ana de Biase
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Ian S. Baker
FEATURED INTERVIEW:
Neil Langdon Inglis in conversation with Ian S. Baker
 

 



NLI. I found a reference to Forteana [anomalous phenomena] in my preparation for this interview -- your mum bought you a book on Fortean phenomena from Maidstone market when you were 11. An introduction to Forteana was a watershed event in my life as well, enabling me to move beyond my early battles with my father Brian Inglis. Even for a skeptical observer (as I then was and to some extent remain), the folklore of Forteana was endlessly entertaining, and more enjoyable than the pitched battles between rationalists and believers. So my question to you, as a specialist in this field, is: do Charles Fort (1874-1932) and his legacy remain part of your life today?

IB. That book introduced me to the concept that there were phenomena that were arguably beyond our current understanding but, more importantly, it was possible to research them.

Although I may not necessarily always refer to them as Forteana now (anomalous phenomena is a more contemporary term from my perspective), I think Fort’s legacy is still part of who I am. Even though my appreciation for such phenomena may have changed over the years, I can still happily lose myself looking through Forteana.

NLI. I was struck by a quote of yours that I found on-line, in a 2009 interview with J.J. Lumsden: “Over a series of three experiments I found an interesting effect. Remote staring detection did not appear to have any brain activity associated with it on its own, but appeared to modulate the brain activity associated with the processing of other stimuli. But a strange effect in the third experiment led me to suspect some form of artefact was present: essentially there appeared to be a “remote staring effect” even when no starer was present! A final simulation study did find evidence of a tiny artefact that suggested we are very sensitive to extremely small changes between stimuli in experiments. This could have important implications for psychophysics and cognitive neuroscience.”

NLI. That was 10 years ago. Have you encountered any recent experimental phenomena which left a similar impression? (Brian Inglis would have said—there was something there, however evanescent! And he would be mentioning the “observer effect” at this point...). I too find it intriguing.

IB. Alas, I’ve not encountered anything quite so intriguing. I keep wanting to return to that research, but other things keep taking me away!

That being said, I did enjoy reporting on a psychometry study conducted with Abigail Booth and Jane Montague in 2017 looking and psychic and non-psychic claimants. We used a mixed-methods approach where our results indicated that the non-psychics were rated as more accurate than psychics, but this was arguably due to the latter using Barnum-style statements. As the use of hyperbolic language is a criticism that has been levelled at psychics in the past, it was intriguing to find a reversal of the narrative.

NLI. What anomalistic experiences have you encountered that affected you personally, perhaps catching you unawares (i.e., not in the laboratory)? Were they pleasant or unpleasant?

IB. I can’t really claim to have experienced anything that I would solidly refer to as “anomalistic”. Prior to my undergraduate degree I led a team of “ghosthunters” in researching some purportedly haunted locations. If you had asked me this question at that time I might have responded that I had experienced some interesting anomalous phenomena, but as I learnt more about psychological mechanisms during my degrees I reinterpreted such experiences as being more likely due to group influences, fatigue, confirmation biases, etc.

Probably the most unpleasant experience I had was coughing up dust after spending days down in the Edinburgh Vaults!

NLI. What do skeptical or rationalist groups mean to you, and do you speak to them? Do you believe they play a useful function in raising awareness about critical thinking? I am thinking in particular of CSICOP/CSI, which nowadays devotes a lot of column inches to homeopathy and Gwyneth Paltrow; for me their heyday was in the 70s and 80s—the stakes seemed higher. Some people in the field actually prefer it when skeptical groups cast a wider net and address a broader range of topics, even if that means leaving Uri Geller behind...

IB. I think that they can have a useful function, particularly in the era of “fake news”, etc, but it also depends upon the approach. I learnt a lot from Professor Bob Morris’ (my PhD Supervisor until his death) soft methods for convincing people. Even though he was the only Professor of Parapsychology in the world at that point, he was remarkably good friends with highly skeptical individuals due to his humour and gentle approach with people. This is a far better method of helping people to understand your perspective than confrontation.

NLI. Is there any scientific or parascientific discovery you would relish seeing in your lifetime, and why (mine would be confirmation of the existence of extraterrestrial life)?

IB. The older I get I think confirmation of life-after-death would be a nice one!

NLI. What trends (good and bad) have you observed in academic life during your years at Derby? What are the ups and downs of dealing with students (under- and post-graduates)? You have been associated with the Universities of Edinburgh and Coventry: How do these institutions differ in their level of encouragement and support for a scholar with your interests?

IB. We have definitely seen an increased metricization of Higher Education across the sector, with students being increasingly viewed as “customers” (with both positive and negative connotations) and the need to demonstrate “value for money”. Whilst it can be perceived as a challenge to teach an area such as parapsychology where it is difficult to see how it can support future career choices for students, I have generally been able to show how positive the inclusion of this area is to our undergraduate degree. It has consistently been one of our more popular optional modules, and each year a small number of students come to study with us specifically because we cover such material. We are able to demonstrate how we can apply research methods training to research such difficult and contentious topics, and it works as a wonderful vehicle for students to learn to think more critically.

I have been very fortunate that the University of Derby has always been highly encouraging and supportive of my interests and research. There are several staff who share my interests, even if they have not originally come from a parapsychology background. Learning from Bob Morris, I have always attempted to be inclusive and encourage a variety of approaches and I think this has helped to embed the examination of such beliefs and phenomena more broadly and make this “normal”.

NLI. Other people in the psi field lament the grant funding challenges. Financial issues are also central to employability. In an on-line interview with Dyanna Gallaher, you recommended the following as a starting point for those interested in pursuing careers in the field, followed by postgraduate study. Do you follow the careers of former students?

IB. A grounding in psychology will also help to provide a good grounding in parapsychology. It also enables you to be more employable. There are relatively few jobs in parapsychology, and having a background in other areas of psychology or similar disciplines can help when attempting to find a job after your degree(s). So, stage one of the process of becoming a “parapsychologist” would be a B.Sc in Psychology (3-4 yrs). Some coverage of parapsychology during this time is helpful, although not essential.

I think my advice still stands. I tried to keep in touch with as many of my students as possible, and I am particularly pleased that Dr Malcolm Schofield, who did follow the path above, is now a colleague whom I thoroughly enjoy working with.

NLI. Tell me more about the origins of your interest in psychometric test use, and any scientific controversies associated with it? Please feel free to select any aspect or dimension you would prefer to emphasize.

IB. For me, my interests in this subject stem broadly from research into the belief in and experiences of remote staring detection during my PhD. This then developed into an interest in belief more broadly, which then developed further into examining other psychological constructs and ensuring that they are investigated as robustly as possible, using appropriate psychometric methods.

For me, belief has become a vital element of how we understand people. In many respects I think that belief is the prism through which we view the world, influencing our interpretations of reality. This goes beyond religious or paranormal beliefs to scientific beliefs, to cover other beliefs such as climate change or “fake news”.

Of course, when examining such psychological constructs we have to recognise the flaws associated with self-report measures and how they can be misinterpreted. It is essential that the results are not over-interpreted and that the terms used are appropriate. For example, I have always had an issue with the term “Cognitive Deficits Hypothesis” in the paranormal belief literature, so I was pleased when my (former) PhD student Dr Malcolm Schofield proposed the term “Cognitive Differences Hypothesis”, which seems far more accurate when current research is taken into account.

NLI. Which writers and researchers in this field do you rate most highly?

IB. I have always enjoyed reading and learning from Harvey Irwin’s research, and Ed May has often provided insightful observations. I always encourage my students to read the contributions that early researchers in the field made, including the founders of the Society for Psychical Research and founders of psychology who often researched what we would now refer to as parapsychology; although approaches may have changed, what they did formed the bedrock of what we do now.

NLI. What does the name Arthur Koestler suggest to you (My father Brian Inglis set up KIB with Koestler and Instone Bloomfield). Do you find that his intellectual reputation has been tarnished among your students and colleagues?

IB. Koestler is a challenging figure to reconcile for me. I started at Edinburgh around the time when his bust was removed from public display due to the negative aspects of his past coming to light. I have to recognise that it is his legacy that helped create an environment where like-minded people could come together to research parapsychology. But equally there are aspects of who he was that I cannot condone.

When I provide my students with a brief history of parapsychology, I do cover the fact that Koestler’s endowment set up the position of Koestler Professor of Parapsychology, but I equally discuss that it was John Beloff who lobbied for it to be at Edinburgh, and Bob Morris who made it a success; two individuals who were very different to Koestler. I point out to my students some of the issues with Koestler, but encourage them to make up their own minds. I don’t think we should shy aware from the positive and negative legacies of historical figures, but rather help students to develop the tools to make their own evaluations.



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