The International Literary Quarterly
menu_issue9

November 2009

 
Contributors
 

Ilya Bernstein
Françoise Brodsky
Joanne Rocky Delaplaine
Jorge Edwards
Tsvetanka Elenkova
Maria Filippakopoulou
Geoffrey Hartman
John Haynes
Rebecca Jany
David Kinloch
Ruth Padel
Peter Robertson
John Schad
Chris Serio
David Trinidad
Lidia Vianu
Stephen Wilson

Volta: A Multilingual Anthology
(One poem: 92 languages)

Issue 9 Guest Artist:
Jean Macalpine

Founding Editor: Peter Robertson
Art Editor: Calum Colvin

Consulting Editors
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
Alain de Botton
Carmen Boulossa
Rachel Bowlby
Svetlana Boym
Peter Brooks
Marina Brownlee
Roberto Brodsky
Carmen Bugan
Stanley Cavell
Hollis Clayson
Sarah Churchwell
Kristina Cordero
Drucilla Cornell
Jill Dawson
Junot Díaz
André Dombrowski
Denis Donoghue
Ariel Dorfman
Rita Dove
Denise Duhamel
Klaus Ebner
Robert Elsie
Stefano Evangelista
Orlando Figes
Tibor Fischer
Shelley Fisher Fishkin
Peter France
Nancy Fraser
Maureen Freely
Michael Fried
Marjorie Garber
Anne Garréta
Marilyn Gaull
Zulfikar Ghose
Paul Giles
Lydia Goehr
Vasco Graça Moura
A. C. Grayling
Stephen Greenblatt
Lavinia Greenlaw
Lawrence Grossberg
Edith Grossman
Elizabeth Grosz
Boris Groys
David Harsent
Benjamin Harshav
Geoffrey Hartman
Molly Haskell
Beatriz Hausner
Valerie Henitiuk
Kathryn Hughes
Aamer Hussein
Djelal Kadir
John Kelly
Martin Kern
Mimi Khalvati
Joseph Koerner
Annette Kolodny
Julia Kristeva
George Landow
Chang-Rae Lee
Mabel Lee
Linda Leith
Suzanne Jill Levine
Margot Livesey
Julia Lovell
Alberto Manguel
Marina Mayoral
Ben Marcus
Paul Mariani
Richard McCabe
Campbell McGrath
Jamie McKendrick
Edie Meidav
Jack Miles
Susana Moore
Laura Mulvey
Azar Nafisi
Martha Nussbaum
Sari Nusseibeh
Tim Parks
Clare Pettitt
Caryl Phillips
Robert Pinsky
Elena Poniatowska
Elizabeth Powers
Elizabeth Prettejohn
Martin Puchner
Kate Pullinger
Paula Rabinowitz
Rajeswari Sunder Rajan
James Richardson
François Rigolot
Ritchie Robertson
Avital Ronell
Carla Sassi
Michael Scammell
Celeste Schenck
Sudeep Sen
Hadaa Sendoo
Miranda Seymour
Mimi Sheller
Elaine Showalter
Penelope Shuttle
Werner Sollors
Frances Spalding
Gayatri Chakravorty Spivak
Julian Stallabrass
Susan Stewart
Rebecca Stott
Mark Strand
Kathryn Sutherland
John Whittier Treat
David Treuer
David Trinidad
Marjorie Trusted
Lidia Vianu
Victor Vitanza
Marina Warner
David Wellbery
Edwin Williamson
Michael Wood
Theodore Zeldin

Associate Editor: Jeff Barry
Associate Editor: Neil Langdon Inglis
Assistant Editor: Ana de Biase
Assistant Editor: Sophie Lewis
Art Consultant: Angie Roytgolz

 
Click to enlarge picture Click to enlarge picture. For Nicholas Hughes by David Trinidad  

At last we know who
you were, beyond the baby
your mother woke and wrote to,
the baby crying while her body
lay, still warm, in the kitchen one
floor below; beyond the youth
sequestered among the moors,
silently fishing alongside his
famous father.  We now know
your “varied pursuits”: stream ecology,
pottery, woodworking, boating,
bicycling, gardening, and cooking
“the perfect pecan pie.”  How like
both of them you were!  We now
know you would have nothing to
do with her, whose absence left
you hollow, and yet you found refuge
in the Golden Heart of Alaska, in
her country, an ice fortress blazing
with Aurora’s lights.  We know
that in the nine years since the death
of the Poet Laureate, that man of brick,
your foundation crumbled; know
that two years ago, you gave up
your professorship to concentrate
on ceramics.  Is there no way out of
the mind?  One by one, the passage
doors shut, and locked behind you. 
Still, in your depression you were able
to climb Scafell Pike, the tallest peak
in England.  We can see pictures
of you on the Internet now, Nicholas:
movie-star handsome, your stare refusing
us access, guarded against the acolytes
who would tear the very flesh from
your bones in order to possess her.
And now your death, we know that. 
What is it, finally, but an image, the
feet of a condemned man that fell from
a poem—first one of hers, then one of his.
As if their poems could ever console
you, or explain away the pain.  Death
was—and is—your legacy, we know
that now.  At last, Nicholas, we know.

                                  March 27, 2009