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Part 2 Contributors

 

Elena Karina Byrne
liz gonzález
Grant Hier
Lois P. Jones
Ron Koertge
Glenna Luschei
Rooja Mohassessy
Susan Rogers
Patty Seyburn
Maw Shein Win
Kim Shuck
Lynne Thompson
Carine Topal
Cecilia Woloch

Part 1 Contributors

Rae Armantrout
Bart Edelman
David Garyan
Suzanne Lummis
Glenna Luschei
Bill Mohr
D. A. Powell
Amy Uyematsu
Paul Vangelisti
Charles Harper Webb
Bruce Willard
Gail Wronsky

Part 3 Contributors

Michelle Bitting
Laurel Ann Bogen
Laure-Anne Bosselaar
Lucille Lang Day
Corrinne Clegg Hales
Marsha De La O
Charles Jensen
Eloise Klein Healy
Glenna Luschei
Clint Margrave
Henry Morro
Alexis Rhone Fancher
Phil Taggart
David L. Ulin
Jonathan Yungkans
Lorene Zarou-Zouzounis

Part 4 Contributors

Tony Barnstone
Willis Barnstone
Ellen Bass
Christopher Buckley
Neeli Cherkovski
Boris Dralyuk
Alicia Elkort
Mary Fitzpatrick
Michael C. Ford
Kate Gale
Frank X. Gaspar
Dana Gioia
Shotsie Gorman
S.A. Griffin
Donna Hilbert
Brenda Hillman
Glenna Luschei
Phoebe MacAdams
devorah major
Clive Matson
K. Silem Mohammad
Rusty Morrison
Harry Northup
Holly Prado Northup - In Memoriam
Cathie Sandstrom
Shelley Scott - In Memoriam
Daniel Shapiro
Mike Sonksen
Pam Ward
Sholeh Wolpe
Gary Young
Mariano Zaro

Part 5 Contributors

Millicent Borges Accardi
Kim Addonizio
Marjorie R. Becker
Jacqueline Berger
John Brandi
James Cagney
Carol Moldaw
Kosrof Chantikian
Brendan Constantine
James Cushing
Kim Dower
David Garyan
Valentina Gnup
Troy Jollimore
Judy Juanita
Paul Lieber
Rick Lupert
Glenna Luschei
Sarah Maclay
Jim Natal
Judy Pacht
Connie Post
Jeremy Radin
Luis J. Rodriguez
Gary Soto
Cole Swensen
Arthur Sze
Charles Upton
Scott Wannberg (In Memoriam)


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Click to enlarge picture Lynne Thompson
Lynne Thompson
Californian Poets Part 2: Three Poems
by
Lynne Thompson


 

 



Mood For The Country

There is joy in the woods just now 1
although I don’t know how I know it
being born of temper & wavelengths,

untutored about the origins of woods:
the maple, the ash, the hickory.
Still, I hear joy in the woods just now

and in the music that is born there:
in the Appalachian banjo or in a cello
made of temper & wavelengths

rocking Esperanza Spalding’s Land of the Free,
tips of her fingers caressing the strings.
There is joy in the woods just now and

every show of hands knows it, knows the time
to listen is short even as we all will, one day,
succumb to temper & wavelengths but

we know this too: there’s a cure to be had
in mood’s music, under an American chestnut.
There is joy in the woods just now where
we are so much more than temper, wavelengths.

1 Opening line of Claude McKay’s poem “Joy in the Woods”





History, necessarily brief

Chicken. Egg.
Egg. Chicken.
Cluck, crack, yellow, mellow.

Then a mer-fish (someone
named them Eve plus Adam)
grew three legs and coupled

but they soon grew sick of
omelets with cheese & enough
will never be enough. So came

dachshunds and turtles, the hut
in the suburbs by which I mean
to say overcrowded cities of tent

to which the nomads objected,
citing the gods, citing oil-slicked
waters, and sometimes—often—

citing no reason at all. But isn’t
the reason for what happened, after,
the weapons: the rock, the spear,

a boomerang, Chinese gunpowder?
Okay, I’ve skipped some great stuff
that was the new big thing along

the way: sea-cry of a conch-shaped
trumpet; the screw press Gutenberg
invented to record everyone’s sins;

the potter’s wheel, ship’s wheel, fly
wheel, all depending on torque just
as many men do. Anyway, all this

was going on while wars, famines,
tsunamis, wars, were. Then, of
course, a family went to see Old Yeller,

flew to the moon, felled the birch &
the sycamore. But ruin can be fine in
the end: we each shine our own apple.





Sting

I loved. Or something proximate.
You loved

but in another-ness.
Music was neither classical

nor windswept.
Breakfast was eggs, cucumber,

and we hungered
for the rest of the day.

Look for the oasis, I said.
Where’s the salve for rug burn,

you asked, you asked, you asked
while I counted limp petals:

he loves me
so why has he plated the knives?


I loved, as if on a mountain
you could only find

in a thesaurus. Never fully there,
and you never felt the sting;

you just left the bee to die
after its first, fatal pleasure.